Dennis
Vannatta
'57
There were holes all over Little Rock that long summer. In, for instance, the muffler of my father's Chevy, the one
with the squeaky rubber bushings, which, I came to find out, embarrassed
him even more than me. Then there was the hole in the chicken-wire fence
at the rear of Mimm's Grocery on Markham Avenue, which led Dickie Knox
and me to a cache of pop bottles, thence to Squires Pool Hall and Old
Bob, last name unknown, the first Negro who'd ever acknowledged my
existence or I his, to the best of my recollection.
And of course there was the hole in the privet hedge that
separated the Knox and Adaire backyards, through which Dickie squirmed
his way one morning, and then out again, taking me with him into the
fresh young world where waited freedom and its attendant joys and
dangers. Including, yes,
death.
It's been over forty years since that annus mirabilis of 1957 and
the Little Rock school integration crisis.
Orval Faubus calling out the National Guard, Ike sending in the
101st Airborne, nine scared young black people walking with all the
dignity they could muster—and it was a lot—up the front steps of
Central High. I was not
quite seven years old then and didn't know anything about integration or
separate but equal. My
parents didn't talk about politics, at least not in front of me.
All I remember them talking about was money, or the lack thereof:
the impossible mortgage payment; the life insurance premium,
which my father wanted to let lapse because, "What do I need life
insurance for? I'm going to
be around forever."
I had heard of the 101st Airborne, though.
That was Van Johnson in "Battleground," which my
father, an army vet himself, had taken me to see at the Heights Theater
on Kavanaugh. For weeks
afterward in reply to virtually any question I drawled, "That's for
sure, that's for dang sure," like the Southern boy in the movie and
pretended I was General McAuliffe saying "Nuts" to the baffled
Germans. What on earth did
those wise-cracking, tobacco-spitting heroes, feet wrapped in rags
stamping through the snows of Bastogne, have to do with my own sunny
Little Rock? I didn't know,
didn't much care. Of more
immediate concern to an almost eight year old:
what was the world like beyond the borders of our back yard?
I was an only child, and my parents were perhaps overly
protective. I'm not sure
if, until then, I'd ever ventured out of my yard unattended.
My mother had often taken me next door, though, to play with
Dickie Knox, and Dickie had often been to my house to play.
He was my first real friend, and I should not have been so
shocked, one summer morning, to see him emerge an inch at a time from
the gap at the base of the privet hedge.
Friend or not, boys in my experience simply did not emerge from
hedges unaccompanied by their mothers.
I can still see him wriggling out now—dirty hands, sandy blond
hair, and slender face with
that sly grin. Was he the
snake in the Adaire family garden corrupting innocent little Tommy?
I think I must have feared so then, hence my feeling of
transgression as I followed Dickie back through that narrow gate to the
world. But guilt was soon
behind me as we turned our sights on the glorious dangers of Sequoia
Street.
I have hardly a single memory of anything north of our house on
Sequoia. Rather, gravity
pulled Dickie and me south down the long sloping street toward the
hustle and bustle of Markham Avenue.
At the beginning, though, Markham was just a noisy vision far in
the distance. More immediate perils had first to be confronted, most
especially that lurking Polyphemus three houses down from the Knoxes':
Arnold Brand.
Arnold Brand! His
very name rang in our ears as hard and unyielding as a hammered anvil.
"Look at them knuckles of his!
They're as hard as granite!" Dickie would marvel as we
peeked through the Johnsons' honeysuckle-festooned fence at Arnold,
standing straddle-legged on his front porch, hands on hips, a scowling
giant two or three years, at least, our senior.
I wasn't altogether sure I knew what granite was, but I assumed
it was hard indeed and had no desire for Arnold to test those knuckles'
effectiveness on my tender person.
Arnold wore a knife hanging from his belt.
I kind of thought it might be one of those rubber ones you could
buy for a quarter at Ben Franklin's—black handle and silver blade in a
black rubber scabbard—but when I mentioned this possibility to Dickie,
he was properly incredulous at my naiveté.
Naw, naw, it was a real knife, all right, and not just any knife
but a special knife made from the same sort of meteorite steel as Jim
Bowie's famous Bowie Knife. "Sharp
enough to cut out your gizzard in one stroke," I was assured. I was
no more certain of the precise nature of gizzards than I was of granite,
but I knew, wherever and whatever mine was, I wanted it left in place.
We had three compelling reasons, then—knuckles, knife, and that
knee-weakening scowl—to avoid Arnold Brand.
We wouldn't have stayed away from him for a
Mickey-Mantle-autographed Louisville Slugger.
For days on end in the early summer of '57, we were consumed with
the goal of simply making it past Arnold Brand's house.
Alive, preferably. In
the beginning, just getting close enough for a fairly clear view of the
Brand front porch was enough to send us shrieking back to the safety of
Dickie's house. Finally we made it to the Johnsons' house, then the fence
between the Johnson and Brand yards, where we knelt among honeysuckle
leaves, the air cloying and resonant with bees.
Generally, Arnold would spot us then and come bounding off his
porch, arms windmilling, screaming like an Apache smelling scalps.
But he couldn't always be on guard, and on those occasions we'd
make it on down the sidewalk a few more steps before being overcome by
the enormity of what we were doing, and, hearts failing us, we'd sprint
back to Dickie's.
We were growing bolder, though, and we were heading for a fall.
In fact, I quite literally fell on our next attempt down the
sidewalk. Arnold wasn't on
the porch but had obviously been lurking just inside the screen door.
He rushed out at us bellowing madly, arms whipping the air, at
which point Dickie took off, not back to his house as I'd expected but
on south. I hesitated, then
as I turned to run home my slick-soled Buster Browns betrayed me.
My feet went out from under me, and I went down.
Arnold was as surprised as I was, I think.
He hesitated long enough that I almost made it to my feet, but
then he was on me, pulled me like a squealing pig onto his lawn, left
arm around my neck. I saw
quite clearly the black scabbard of his knife dangling in front of my
nose. Then he gave me a
vicious wrap on the top of my head with his granite knuckles, and I,
stunned, crumpled into a quivering mass of bawling boy.
*
After my ordeal, it took Dickie a day or two to coax me out of my
back yard, but soon we were heading south again.
We approached the Brand house warily at first, but when it became
apparent that Arnold was taking no further interest in us—he had his
scalp, I suppose—we sprinted joyfully on down Sequoia Street until we
found ourselves on Markham Avenue.
Those were the days before Little Rock began its great westward
expansion, taking much of the life of the city with it.
In '57 Markham was an important thoroughfare with trolley tracks
running down the middle and businesses of all descriptions lining its
sides. There were the fire
station two blocks east of Sequoia and my father's insurance agency
three blocks west. There
was Trantham's Toy Shop, where Dickie and I would stand noses pressed
against the front glass as if we were auditioning for the next Norman
Rockwell as we stared wistfully at model planes and ray guns and erector
sets. And there was
Nadine's Notions with its lace and ribbons and life-size Raggedy Ann
sitting in a Shaker rocker. We
wouldn't be caught dead in Nadine's Notions.
Mimm's Grocery next to Nadine's was a different story. How we happened to be in the alley behind the stores on that
block I don't remember, but there it was—the chicken-wire fence with
the boy-size hole where the fence connected to the garage behind
Nadine's. Across the
grassless yard beyond the fence was a covered porch that led into the
back of the grocery store, and on the porch were stacked, case upon case,
pop bottles. Through the fence would go skinny little Dickie followed
after the most cursory hesitation by slightly pudgy Tom. Then back out we'd skedaddle, each with his war prize:
a six-pack of empties.
We'd take them around to the front and sell them right back to
old Mimm himself for two cents a bottle.
Even at the time I half suspected that Mr. Mimm knew what was
going on. He was a good-natured old boy, though. Besides, he was in the Masons with my dad.
We were very precise in the disbursement of our twelve-cent
booty. Five cents would go
for a Chick-o-Stick, a Valo-Milk, a Cherry Mash, bag of sunflower seeds,
or roll of Necco Wafers. Two
cents would go for Chum Gum, three sticks for a penny.
Or maybe one penny for Chum Gum and the other for laying on the
tracks for flattening as the trolley came clanging and squealing down
the rails. Even I, his best friend, would never have guessed the use to
which Dickie intended us to put that remaining nickel, though:
Squires Pool Hall.
Why Dickie was so determined to partake of the pleasures of the
pool hall, I don't know. I
do know I had no burning ambition to become another Minnesota Fats, yet
there I was, following him into that Stygian world—air reeking of cigar
smoke and the sweet smell of whiskey, the entire east side of the
establishment taken up by a long bar, spittoons at either end, where sat
men hunched protectively over shot glasses and beer mugs.
I'd heard of such things, but we Adaires were Baptists, and until
that moment I'd never seen a man dare to put an alcoholic beverage to
his lips.
"We want to shoot pool!" Dickie announced as I hid
behind him, one hand on the screen door, ready to bolt.
There was a moment's silence, and then laughter erupted from the
shadowy figures I was too shy even to look up at.
Then a voice—the bartender's—called out, "Sure, kid, go
shoot you some pool. Bob,
rack 'em up."
At that a Negro slowly emerged from the darkness, rack in hand.
We never heard anyone call him anything other than Bob, but
Dickie and I always spoke of him as "Old Bob."
A child's estimate of age is not to be relied upon, of course.
I thought my father was old, after all, because he was almost
always too tired to play catch with me, and he'd come home after work
rubbing his back and moaning, "That desk has been riding me
hard." I didn't see
how sitting at a desk could make you tired and sore unless you were old.
Bob must have been fairly old, though.
At least he was mostly bald except for a frosting of gray hair
over his ears and around the back of his head, and he shuffled along as
if plagued by arthritis, and his shoulders were rounded as if from years
of great labor. Or maybe
hopelessness. I don't know.
In truth, I hardly thought about him at the time, except when
he'd limp over to rack up the balls, saying, "You young gentlemen
ready to shoot you some pool?"
I sure did like the way he called us "young
gentlemen."
Dickie was a good deal more forward than I, though, and one day
he asked him, "Old Bob, how did you get to be so old?"
Old Bob settled the balls tightly into the rack, then lifted it
off.
"It's just time going," he said.
"Wait'll you get you some years, you'll see then.
Time's a big ol' mill wheel that grinds on you, grinds you
down."
I didn't know what the heck he was talking about, but he must
have thought Dickie did because he shook his head and frowned like maybe
he'd gone too far and said, "Aw, don't you pay no attention to me. Besides, what happens when that mill wheel grinds?
You get you some flour, right? And
what do you make with flour? Make
you some bread, right? And
remember, young gentlemen, bread's good."
Then he shuffled off to, well, wherever he shuffled off to.
I didn't look. Didn't much care. Instead,
I hefted my cue and had at it.
We were the pets of those serious daytime drinkers in Squires,
who would swing around and sit backs to the bar to watch us play.
I had to use the bridge on about every other shot, but at least I
was tall enough to reach over the side of the table to wield my cue.
Dickie dragged a bar stool around the table and knelt on the top
to shoot. Fairly often
someone would pay for an extra game for us, and once in awhile someone
would slap down a couple of RC's and say, "Have one on me,
boys."
It came to an end during the latter days of that summer, return
to school looming. A
stranger in Squires—or at least Dickie and I didn't remember him—thought we were about the funniest thing he'd ever seen.
After laughing at us for fifteen minutes, he came over to our
table and said, "You two are a couple of real sports, ain't
you?" and sat a mug of beer on the table next to the bar stool
Dickie was kneeling on. "Shooting pool's thirsty work, ain't it,
fellas? Drink up."
I looked at the beer, looked up at the man with the broad, sweaty
face, hair shaved up the sides of his head and short flat-top like a
wire-bristled brush. Thinking
of Reverend Vought's censorious gaze beaming down from the pulpit of the
Emmanuel Baptist Church, I could feel myself breaking into a sickly,
shamefaced grin.
"Come on, boys, drink up, drink up.
Hell, when I was your age I could handle two or three beers,
nothing to it."
That's when Old Bob appeared across the pool table from us.
"Leave them boys alone, Mr. Wilson," he said.
The man called Mr. Wilson looked up in surprise, then stared at
Bob for the longest time like maybe the whole thing was a joke and he
was waiting patiently for the punch line.
But he didn't laugh.
Instead, he said to Old Bob, "Get your black ass out of
here. . . . I'm not going to say it again.
If you don't get your black ass out of here right now, you're
going to be the sorriest son of a bitch in Pulaski County."
If it'd been a movie, this would have been the time for old Bob
to straighten up and, with consummate dignity and defiance, stare down
the bully. Or for some
young, right-thinking, milk-drinking hero to appear, give Wilson the old
one-two and out the door with him.
But it wasn't a movie; it was Little Rock, Arkansas, the summer
of 1957. No one in the pool
hall said a word, and instead of staring down the bully old Bob backed
away and, shoulders more rounded and back more stooped than ever,
shuffled back to his accustomed place, in the shadows where no one took
notice of him.
I looked over for Dickie's reaction and found his barstool empty.
I turned and saw him for one brief moment silhouetted against the
harsh afternoon light of the open doorway, and then he was gone.
And then I was gone, too.
*
It was a little after that that my father's '55 Chevy acquired a
hole in its muffler.
This was the same Chevy 150 with the one paltry strip of chrome
and the rubber bushings that, in hot weather, squeaked like rusty
bedsprings. I could hear it
when my father rounded the corner at Sequoia and Markham, a long block
away. It embarrassed me no end, and my embarrassment infuriated my
father.
"It's a great car. It's
had one tune-up in two years—that's it.
What's a little squeak? You
kids today are so spoilt."
When the muffler developed the hole in it, though, his true
feelings about the Chevy came out.
"Squeak squawk! Rumba
rumba!" he'd screech and roar, squeezing the steering wheel like he
was trying to throttle the car into silence.
"Squeak squawk, rumba rumba, you son of a bitch!"
The only times I ever heard my father curse were in reference to
that car and gimp-armed Stan Musial, who was having trouble getting the
ball in from the outfield. He
couldn't do anything about Stan the Man, and he couldn't do anything
about the muffler, either, because his insurance business wasn't doing
too well. We were eating a
lot of bologna for supper that summer.
I don't remember ever complaining, but my father would harangue
me like I was the most ungrateful wretch in the world.
"There's nothing wrong with bologna.
At least you have meat on the table every day.
Every day. When I
was a kid in the Depression we'd go two weeks at
time without a smell of meat, and let me tell you, if we got a
little fatty pork in with our greens we thought we were eating high on
the hog."
It came to a head after he tried patching the muffler with bubble
gum. He had me run down to
Mimm's Grocery for one piece of Double Bubble, which he chewed with
great solemnity. Then he
laid down an old table cloth and, still in his tie and white shirt but
with the sleeves rolled up, crawled under the car and huffed and cussed
for the longest time. But it didn't work. The
next day, he refused to drive the Chevy to work.
"I'll walk it," he said.
It was only a few blocks to his office and back, but my father
was overweight and took to exercise like a cat to water.
Dickie and I were burning ants with a magnifying glass out on the
sidewalk when we saw him at the bottom of Sequoia, slogging his way up
toward us. Under the brutal
sun he looked like a Sisyphus who'd abandoned his rock and, if he once
made it to the top, never intended to descend that hill again.
It was my idea to hide behind the Johnsons' honeysuckle-draped
fence and ambush my father when he passed.
"Yowza! Wallawallawallawallawalla!!"
we hollered, leaping out and waving our arms maniacally, at which my
father flinched and threw up his hands as if to ward off a blow.
Shocked by that momentary flicker of fear on my father's face, I
stopped hollering before Dickie did, but he stopped too when he saw the
fear change to rage.
My father grabbed me by the shoulder and jerked me two or three
steps on down the sidewalk before releasing me and pointing back at
Dickie.
"What are you hanging around all the time with that kid for
anyway?" he said. "Don't
you know his father's a lawyer for all those nigger lovers?"
Then he turned and walked off toward our house. I watched him the
whole way. I guess after
what my father said I should have been reminded of Mr. Wilson, but
instead, watching him disappear into the house—white shirt gray with
sweat, back bent as if the suit coat slung over his shoulder were a
great weight—I thought of Old Bob.
I felt awful. I'd frightened my dad, I see it now, when he was worried and
scared in a way I'd never understand until I was grown and had children
of my own.
As for Dickie, when I looked back for him, he was gone. I think I knew at that moment that our friendship was over,
although for days afterward I'd look for him through the privet hedge
behind the house. But then school started, and I was a grade behind
Dickie, and I made new friends. He
and his family moved the next spring, and in truth I didn't miss him
much. Funny. I miss
him now.
*
And death, too.
It was a couple of years later, though, not 1957.
No matter. Memory
isn't a seamless tapestry but a kaleidoscope of shifting, jagged,
mismatched pieces, and I can't see '57 as a whole unless death is given
its place.
It was summer, at least. Hot.
I was ambling up Sequoia Street, no longer that gauntlet of
perils and adventures but simply a way from here to there, when I
glanced over and saw a boy sitting on a porch in the afternoon sun.
He was sitting in an old wooden rocker, and he wore, of all
things, a greatcoat, much too large for him, buttoned high to the
collar. His small face,
unnaturally gray, perched upon the coat's absurdly broad shoulders.
Then I realized who it was, no longer standing straddle-legged,
hands on hips, armed with knife and scabbard, glaring down at poor
little me but looking like some weathered doll its owner had perversely
dressed and then abandoned. Arnold
Brand.
We stared at each other a long moment, and then he smiled a smile
that shocked me by its, well, I can only describe it as affection, and
his right arm lifted that massive sleeve, the thin fingers protruded,
and he waved: once, twice.
I turned and ran for home.
Some days or perhaps weeks later at the supper table my mother
said to my father, "Oh, by the way, did you hear that the Brand boy
finally died?" And my
father said, "No, I hadn't heard.
Well, that's really too bad."
Yes, it was really too bad.
Of all the cruel, stupid, cowardly acts I can conjure up from my
youth, the one that sickens me the most was the day I fled from Arnold
Brand's terrifying gentleness. Was
it merely a childish, innocent thing to make a bogeyman of Arnold Brand?
Or do we have such a need to be distracted from our very real fears—poverty, the depredations of time,
death—that we'll substitute a
more manageable scarecrow of our own invention?
I don't know. I'm
not even sure what really happened, now that I think of it, that time
Arnold caught me on the sidewalk, sent me bawling for home.
Did he stun me with a blow from his huge stony knuckles, or did
he give me a playful knuckle-rub across the top of my head, much as I
sometimes do with my son Tommy, even though he's two inches taller than
I am now, letting his old man pull his head down and rub his knuckles
across his crown as he pleads in mock pain and fear?
Even now I can feel Arnold's knuckles across my head, but I feel
no pain. And that
horrifying knife in its scabbard dangling down from his belt a few
inches from my face? I see
it clearly now, and, yes, knife and scabbard are rubber.
*
They still call the area Stifft Station, after the trolley stop
nearby, now long gone. Plagued
by these memories, when I should have been taking my son to shop for a
new ball glove I detoured over to Markham to show him where the trolley
rails had run. I turned on to Sequoia and parked, and Tommy and I got out
and stood side by side leaning back against the trunk of the car,
staring down at Markham. All
we saw of course was a bare asphalt slab much the same as every other
asphalt slab in Little Rock.
Tommy snickered. "So,
rails ran here, huh, Pop? Gen-u-wine
rails. I'm impressed. Totally. Why'd
you wait so long to share this with me?"
I tried to think of some retort, but couldn't. Really, if you're
going to take a trip down memory lane, there's no sense in Shanghaiing
an innocent bystander into going with you.
You have to have been there.
We got back in the car. As
we drove back up Markham, Tommy began whistling and making
"tooting" noises, trying to sound like a trolley, I guess.
I looked at him. A
wise-ass teenager who spends far too much time anymore snickering at his
dad, true, but on the whole a good kid.
Hell, a great kid. Big, strong, good-natured, just goes out into
the world with a smile on his face, this world that's so much more
frightening than the one I grew up in, its bogeymen all too real.
Just goes right out into the world, an easy-going kid with a lot
of friends, among them Roland Ellard, who's a fair pitcher on Tommy's
baseball team and a hapless guitar-player in their garage band and who,
as we would have said in '57, is "colored."
Yes, Old Bob, bread is good.
(Photo
by C. Stringfellow)
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